Repertory
Part of BOOKENDS OF BLACK CINEMA: THE CLASSIC AND THE CULT — A two-day retrospective followed by a panel discussion moderated by film expert Ale Duckenfield-López and featuring Josiah Howard (author of Blaxploitation Cinema: The Essential Reference Guide).
A private detective operating in Miami is hired to protect the wife of an African head of state in town for diplomatic business, and to recover the daughter of the leader of a criminal organization, who has been kidnapped by a rival gang.
Tough, streetwise private investigator, Al Connors, who works in Florida but hails originally from Harlem, is hired by the CIA to guard a visiting African princess. Connors uses all his sharp street-smarts and fierce fighting skills to find another woman who’s been abducted by the evil Big Daddy.
Josiah Howard writes on film and popular culture and is the author of several best-selling books including “Blaxploitation Cinema: The Essential Reference Guide” (10th printing), “Cher: Strong Enough,” and “Donna Summer: Her Life & Music.” A veteran of entertainment television and radio, Mr. Howard lectures on cinema at universities and film festivals around the world. His writing credits include more than fifty DVD, Blu-ray and CD booklets, concert programs and articles for the American Library of Congress, The Hollywood Reporter, Reader’s Digest and The New York Times.
Ale Duckenfield-López is a first-year PhD student at the University of Michigan’s Film, Television, and Media Studies Department. They grew up in Coral Gables and learned a lot of what they know about film from their time as an intern at the Coral Gables Art Cinema. They are interested in the role popular films and music play in the construction of Black identity. Their undergraduate thesis was about Rudy Ray Moore’s Blaxploitation films, Moore’s influence on 1990s Gangsta Rap, and how they both shaped the image of Black men in the American popular imagination. They are currently working on a project about techno’s roots in Detroit and how the Black creators of the genre defined themselves in opposition to Hip Hop’s controversial representation of Black identity.
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| Distributor: | International Cinema Inc. |
| Country: | USA |
| Release Year: | 1977 |
| Runtime: | 86 |
| Director: | Rene Martinez Jr. |
| Rating: | R |
| Language: | English |
| Format: | DCP |
– Jim Reed, Connect Savannah
