Repertory
Featuring an extended intro by Udo Kier.
An unconventional detective specializes in locating lost pets. When he is hired to find the Miami Dolphins’ mascot, Snowflake, Ace finds himself chasing the kidnappers who have also abducted Dan Marino, the team’s quarterback.
A film that needs no introduction… For those under the age of 35 it is hard to imagine a world before Jim Carrey. As someone born in 1986, I can scarcely remember it myself, but I remember enough to recall the seismic impact Jim Carrey’s career had on the moviegoing public in the 90’s. In discussion amongst movie fans there was no more imitated and discussed name in comedy than Jim Carrey, and ground zero was Ace Ventura: Pet Detective. The eponymous character has so entered the popular conscience that the sheer riskiness of its boldly over-the-top physical comedy seems very commonplace now. There was a time when the phrase, “alrighty then” was simply, “alrighty then.” It took the unique comedic genius of Jim Carrey to read that line on a page and then deliver it in a way where we can never hear that phrase the same again. The movie rightly belongs here in South Florida, for in spite of, or perhaps because of, its over-the-top flair and heightened reality, few films feel so quintessentially Floridian. The eclectic cast of characters is also one of its many joys, a rondelet of oddballs and eccentrics that all feel uniquely born of the sunshine state. Not least of which is Udo Kier in one of his first American roles as the eccentric millionaire Ron Camp, who strikes pitch perfect authenticity with his light limp and high mannered speaking, illustrating Kier’s unique ability to somehow channel Peter Lorre and Conrad Veidt into the same character. He finds an endearing, light comedic touch in his usual mixture of baroque and bizarre. It’s just one highlight in a film full of them, and we can’t forget Ace himself, cut from a uniquely Floridian cloth. Looking back, you might even call him the original “Florida Man.”
Equally comfortable in leading parts or supporting roles, Udo Kier has one of the most fascinating careers in film. Breaking out as a star in Europe in the roles of Victor Frankenstein and Dracula, Udo has found his way into countless moments, small and big, in the lexicon of auteurs such as Paul Morrisey, Dario Argento, Rainer Werner Fassbinder, Lars von Trier, Gus Van Sant, Wim Wenders, Werner Herzog, Guy Maddin, John Carpenter, S. Craig Zahler, Alexander Payne and Kleber Mendonca Filho. His ineffable ability to find his way into the humble beginnings of so many cinema great’s is almost mystical, but might perhaps best be explained by his uncanny ability to always know where to find a great place for drinks.
The films showing this weekend will give only a small glimpse of the breadth and diversity of Udo’s career, but they are more than enough to make the case for his singular contribution to cinema.
Distributor: | Swank |
Country: | U.S. |
Release Year: | 1994 |
Runtime: | 86 |
Director: | Tom Shadyac |
Rating: | PG-13 |
Language: | English |
Format: | DCP |